Protests Erupt at Kochi Biennale Over Artwork Referencing the Last Supper

Kochi, Kerala, Jan 2, 2026: Protests erupted at the Kochi-Muziris Biennale after Christian groups objected to an artwork that visually referenced the biblical scene of The Last Supper. The protests led to the temporary closure of the exhibition space where the artwork was displayed, with organisers citing security and public order concerns.

The artwork, created by Kerala-based artist Tom Vattakuzhy, was part of a curated exhibition at the Biennale. Viewers and protestors stated that the painting closely resembled the traditional composition of The Last Supper, with a central figure placed in the position historically associated with Jesus Christ. The central figure appeared semi-clad and dancer-like, while surrounding figures were described as resembling women dressed in attire similar to Catholic religious habits.

Christian organisations and members of the public expressed strong objections, stating that the imagery hurt religious sentiments and disrespected sacred Christian symbols. Protestors argued that placing a half-clothed figure in the position traditionally identified with Jesus, along with figures resembling nuns, amounted to a distortion of a deeply sacred moment in Christian faith. They demanded the removal of the artwork and sought an apology.

In response to the controversy, Biennale organisers stated that the temporary closure of the venue was a precautionary measure to prevent escalation and ensure safety, particularly during the holiday period. They clarified that the decision was not an endorsement of the objections, but a step taken to allow dialogue and maintain public order. Organisers also reiterated the Biennale’s commitment to artistic expression while acknowledging the need to engage with concerns raised by religious communities.

The artist, Tom Vattakuzhy, responded by stating that the artwork was not intended to depict Jesus Christ or Christian religious figures. He explained that the piece was inspired by theatrical and literary narratives and that there was no intention to offend or disrespect Christian beliefs. The artist maintained that the work should be viewed within its artistic and conceptual context.

Courtesy: News Minute